A nuanced and often surprising exhibition at the Estorick Collection explores British depictions of the Italian frontline towards the end of the First World War
Abstraction and representation blend effortlessly and mysteriously in Michael Andrews’ paintings, which are on view at Gagosian in London
British modernism is having a ‘moment’ and Jonathan Jones is displeased. Why is he so upset, and what does any of it have to do with Brexit?
An exhibition at Pallant House shows how classicism was a way of reinvigorating modernist experimentation
The Dulwich Picture Gallery finally spotlights this British modernist, whose work owes much to Renaissance traditions
This is but one more example of the vulnerability of art beyond the gallery walls
Historic England’s last-ditch efforts to focus public attention on public art