With an ambitious digitisation project, Art UK aims to foster appreciation of an art form that is sometimes overlooked
The last phase of the museum’s makeover gives its Egyptian, East Asian and ceramic collections a chance to shine
The claustrophobia in this British painter’s work hints at a talent stifled by her better-known artist husband
Advances in digital imaging are revolutionising the study of art history
The English painter’s work found early success, but has since been unduly neglected
The new Renzo Piano-designed Istanbul Modern is set to open in 2021, but will it signal a return to health for the country’s art scene?
A rediscovered set of dinner plates depicting famous women prompts a reassessment of the pair’s artistic collaboration
After a major refurbishment, Kettle’s Yard is reopening – but it remains true to the spirit of its founder, Jim Ede
The Palazzo Strozzi makes the most of the tensions that fuelled the cinquecento’s creative energy
Very few panel paintings by the Italian Trecento artist survive. Currently, all of them are at the National Gallery in London
The British artist’s tense canvases are often troubling psychological self-portraits
Was it concrete or Communism that caused modernist sculptor Peter Laszlo Peri’s slide into obscurity?
How sceptical should we be of the move towards a more transparent approach to cultural heritage?
A nuanced and often surprising exhibition at the Estorick Collection explores British depictions of the Italian frontline towards the end of the First World War
Abstraction and representation blend effortlessly and mysteriously in Michael Andrews’ paintings, which are on view at Gagosian in London
British modernism is having a ‘moment’ and Jonathan Jones is displeased. Why is he so upset, and what does any of it have to do with Brexit?
An exhibition at Pallant House shows how classicism was a way of reinvigorating modernist experimentation
The Dulwich Picture Gallery finally spotlights this British modernist, whose work owes much to Renaissance traditions
This is but one more example of the vulnerability of art beyond the gallery walls
Historic England’s last-ditch efforts to focus public attention on public art