The Neue Nationalgalerie’s restoration is so subtle you might not notice – and that’s a good thing
David Chipperfield’s cool, if costly, renovation plays to the gallery’s minimalist strengths
Surface tension – an interview with Mamma Andersson
They may look like tranquil scenes, but stick with Andersson’s paintings and their sense of encroaching menace is bound to creep up on you
Behind the mask? An interview with Gillian Wearing
Gillian Wearing is in an unusually candid mode in her lockdown paintings, writes Martin Herbert – if you take them at face value, that is
Feast of burden – the uneasy paintings of Norbert Schwontkowski
The artist’s murkily atmospheric works convey a deep sense of anxiety with a wry touch
Agnes Martin and the power of tranquility
Agnes Martin’s serene paintings give pause for thought
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Don’t blame the culture wars for Tate Britain’s disappointing rehang