What can we learn from looking at doubles?
An exhibition examining ‘doubles’ in modern art at National Gallery of Art, Washington D.C. ends up a little out of focus
‘This is a new Winslow Homer for our time’
The Met’s new survey reveals a more dramatic, more political side to the American painter
Did Surrealism really travel all that well?
The movement begun by André Breton in Paris found followers all over the world, but displaying their efforts all together makes for a muddled show
With its return to Chelsea, Dia is having a New York moment
Dia Art Foundation’s support for ambitious experimental artists is as resolute as ever, its director Jessica Morgan tells Apollo
The avant-garde artists who sold a vision of the future
A display of interwar posters is a reminder of that utopian moment when artists believed they could invent a new world
Good form – the minimalist magic of Donald Judd
A recent display at MoMA revealed the unexplored depths of an artist whose work sometimes seems all surface
Has MoMA brought modernism up to date?
Man (as represented by white men) is no longer the measure of all things at the headquarters of modern art
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What’s the point of old postcards?