‘Carnaval d’Arlequin’ (1924–25), Joan Miró © 2014 Successió Miró S.L. / Artists Rights Society (ARS), New York / ADAGP, Paris. Photograph by Tom Loonan Maggie Gray 13 February 2015 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Seeing Like A Camera: Hiroshi Sugimoto Hiroshi Sugimoto talks to Thessaly La Force about how his art collection influences his work Pure abstraction: ‘Sotto Voce’ and the appeal of the abstract white relief London’s Dominique Lévy Gallery looks again at the 20th-century trend Review: Agostino Bonalumi at Mazzoleni Art, London Bonalumi was a pivotal figure in post-war Italian abstraction; finally he’s getting the attention he deserves Leave a comment Cancel reply Your email address will not be published. Required fields are marked *Comment Name * Email *
