New highlights every day from TEFAF Maastricht
Egyptian arm tattoo (1341–1325 BC), Sandstone with traces of polychromy
This carving comes from a colossal figure carved with the likeness of King Amenhotep IV, the pharaoh who changed his name to Akhenaten. It once stood in a temple for the worship of Aten, an aspect of the sun god, which the king built at Karnak in the 18th Dynasty. Some 30 of these four-metre-high statues have been excavated since 1925. The orientation of the hieroglyphs on this fragment and the vertical curve of its surface indicate that it decorated the lower left arm of the figure. Research has revealed that the colossi were reworked and that these carvings did not represent bracelets or arm cuffs but were originally flush with the arm and therefore tattoos. The keen-eyed will also spot the fingers of a small hand rising from the lower edge, indicating the protective rays of Aten. Akhenaten (meaning ‘living spirit of Aten’) broke with tradition by focusing worship on a single deity. His new capital city of Akhetaten at modern-day Amarna was later abandoned by his son Tutankhamun, his name and monotheistic religion discredited and his sarcophagus and statues destroyed or hidden. Akhenaten only emerged out of obscurity with the 19th-century excavations of Flinders Petrie.
Unlimited access from just $16 every 3 months
Subscribe to get unlimited and exclusive access to the top art stories, interviews and exhibition reviews.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Has the Fitzwilliam lost the hang of things?