Spiders and soaring sculptures – Tomás Saraceno in Florence
An exhibition at Palazzo Strozzi positions the wildly ambitious artist as a Renaissance man for our times
Force of nature – the weathered canvases of Vivian Suter
Vivian Suter’s paintings, on show at Camden Arts Centre, are marked by the elements of the rainforest where she works – as well as by her dogs’ paws
Viennese whirlwind – the feminist artist who outraged Austrian society
With a London gallery restaging Valie Export’s exhibition at the Venice Biennale in 1980, the artist looks back at her controversial body of work
Stockhausen, Duchamp, and exit signs – an interview with Cerith Wyn Evans
The artist talks about the wide-ranging references in his neon installations and other works – from modernist music to yoga
‘My art is about overcoming our limitations’ – an interview with Agnes Denes
The artist talks about what it meant to plant a wheatfield in Manhattan – and why she wants her work to outlive her
‘Making already complex things more complex’ – an interview with Imran Perretta
The artist discusses his latest film, whose title – the destructors – is borrowed from a short story by Graham Greene
Frieze week highlights: powerhouse publishing from Chicago and power naps in Fitzrovia
Theaster Gates in the archives and Jonathan Baldock’s four-poster bed are among the shows not to miss during Frieze Week
For the record – collecting gallery papers at the Archives of American Art
From inventories to installation shots – Liza Kirwin discusses the crucial role of gallery records in documenting art history
Fog, lights and Lego – Olafur Eliasson at Tate Modern, reviewed
The artist and climate activist’s installations have changed our perceptions of what art can be
Selfie shtick – the many faces of Maria Lassnig
The Austrian painter dedicated her career to translating bodily sensations into visual form – often through self-portraits
Howardena Pindell on politics, painting and punching holes
The American artist discusses the pleasures of her craft – and culture in the age of Trump
‘I want people to attend to the content’ – an interview with Jenny Holzer
The artist talks about working with words, the ‘woman thing’, and why she likes to feel useful
The disadvantages of being a woman artist haven’t yet disappeared
The under-representation of women by commercial art galleries helps depress their prices. How can this change?
Elizabeth Price cuts through the muddle of the digital world
The Turner Prize-winning artist explains why she finds digital flotsam and jetsam so fascinating
Where next for virtual reality art?
Some seem beguiled by VR technology but others are using it to confront our faith in digital progress
Biennials not to miss in 2019
Venice, the oldest and biggest biennale of all, returns in 2019, but there’s a plethora of other events to look forward to
‘Artistic disciplines are breaking down’ – an interview with Haroon Mirza
As he prepares for an exhibition at Ikon Gallery in Birmingham, the artist talks about ‘composing’ with light and sound
Frieze week highlights: latex, terracotta and a Camden catwalk
An evening of performances and three shows of 20th-century women artists are among the events not to miss
The weird and whimsical worlds of Mika Rottenberg
The artist brings the contradictions and absurdities of global capitalism out into the open
Art goes underground at a new museum in Helsinki
The Amos Rex brings together classic Finnish functionalism and a futuristic underground space
Dystopia lands in London’s Docklands
Lawrence Lek and Kode9 explore sound, architecture and the changing city in their installation at arebyte gallery
Stones, scrolls and the mysteries of the universe – an interview with Michelle Stuart
The American artist looks back on half of a century of working in and with the landscape
Power, protest and progress at this year’s EVA International
Seán Keating’s paintings of the Shannon Hydro-electric Scheme set the stage for a probing exploration of Ireland’s national identity
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Podcast
Catching up with Carolee Schneemann
Remembering an artist who was so far ahead of her time that her work is still full of revelations