Setting a brave example wasn’t what Niru Ratnam had in mind when he forged ahead with plans to open his new business during the pandemic
Despite the mutterings of most critics, the decision to award the prize to all four nominees makes a lot of sense – and is good for contemporary art
Rachel Whiteread’s ‘House’ would never work as a Chinese knock-off
Developers’ attempts to introduce art to an area can often be wretched. Will Vauxhall avoid this fate?
It’s easy to be sceptical about the art biennial boom in Asia. But how have the unconventional spaces of such events shaped artists’ practices in the region?
Niru Ratnam asks what the Cork Street development plans mean for London’s historic art trade