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Plus: Government turns down council bid for Reading Prison | Helène Aylon (1931–2020)
Plus: Rio de Janeiro’s Modern Art Museum plans to sell Pollock | and Hauser & Wirth announces representation of Amy Sherald
A new exhibition at the Bucerius Art Forum in Hamburg looks at how the market for art changed in 17th-century Holland
As some UK museums face cuts of up to 40 per cent, Bill Ferris and Alistair Brown discuss whether they should consider charging entrance fees again.
Edwin Heathcote and Neale Coleman discuss the Smithsonian’s plans to open an outpost in the ‘Olympicopolis’
Is the restoration of Chartres Cathedral a tragedy, or a worthy improvement?
Matthias Frehner and David Lewis discuss the problematic bequest
Are art schools in danger of turning into finishing schools for those who can afford them, or can they survive as places where students can experiment?
Has the Heritage Lottery Fund been a golden ticket for British heritage over the last two decades, or has it invested unwisely?
The Turner Prize turns 30 this year – but does it continue to represent the best of contemporary British art?
Earlier this year, the Hiscox Online Art Trade Report estimated the value of the online art trade in 2013 to…
In Apollo’s June issue, Martin Levy discusses the impact of the proposed US ivory ban on the cultural sector
Apollo’s April Forum asks whether art market hype affects emerging artists
Apollo’s March Forum asks what should be done with ‘fake’ paintings
Our February Forum asks ‘Have traditional museum and exhibition catalogues had their day?’
Should we have a relaxed attitude to deaccession? James Bradburne and David Ekserdjian debate the topic in Apollo’s September issue
Are virtual viewings and diminished sales here to stay, or will the city’s galleries and auction houses see high footfall return?
The German government has reportedly been in talks about the return of German-held Benin Bronzes, raising hopes of their imminent restitution
Gillian Wearing is in an unusually candid mode in her lockdown paintings, writes Martin Herbert – if you take them at face value, that is
From his sitting room in west London, the Manila-born artist created a vital space for avant-garde artists and writers
The South African photographer talks to Apollo about art, power, and his long-standing mistrust of images
This career-spanning survey presents an artist whose work consistently teeters between the absurd and the poetic