Alexander Pope seems to live on in Roubiliac’s magnificent portrait bust, as if the man and his mind somehow inhabited the marble
Please join us at the Olympia International Art & Antiques Fair for a discussion between experts
Has the time come for a revival of connoisseurship?
A young Jackson Pollock, inspired by Michelangelo, made the copper tondo on Apollo’s May issue cover
The new culture secretary, Sajid Javid, must be as visible as possible at arts venues in the coming months
In his April Editor’s Letter, Thomas Marks asks ‘Was there ever a golden age for Italian Museums?’
Our April cover features a photograph of Matisse. He is ensconced in cut-out design, intent on working the line
Grayson Perry is the first visual artist to receive the honour. He must be getting used to making that claim.
Rob and Nick Carter’s harnessing of digital media encourages us to look at art more closely
Following MoMA’s expansion plans, is it time to ask whether large museums should look beyond themselves?
All eyes on the Mauritshuis… a striking detail from Rembrandt’s ‘The Anatomy Lesson of Dr Nicolaes Tulp’ features on this month’s cover
Should the public have a say in exhibition programming? The MFA in Boston seems to think so…
Our February cover ties in with Katy Barrett’s feature article on the resurgent interest in the cabinet of curiosities…
This Saturday Apollo hosts a panel discussion at the London Art Fair on ‘Building and the Landscape in Modern British Painting’
New biographies of Whistler and Piero della Francesca, and Mike Leigh’s biopic of J.M.W. Turner promise to show each artist in a new light next year
Apollo is delighted to announce the winners of the Apollo Awards 2013
Reports of the death of print magazines have been exaggerated. All the same, no magazine can afford to rest on its laurels
At the State Hermitage Museum earlier this summer, I spent some time watching the visitors. Many were in large tour…
Early modern visitors to Moscow often brought silver to the tsar – which is why the Kremlin Armoury Museum holds a remarkable collection of pre-Restoration English silver