TV and film
Salzburg, a city alive with the Sound of Music
Sixty years after the film’s release, locals are still surprised by visitors re-enacting a few of their favourite things
How two artists have weathered one stormy marriage
The ups and downs in the lives of photographer Joel Meyerowitz and the writer and artist Maggie Barrett makes for documentary dynamite
The set pieces of Wilhelm Sasnal
For his new film based on a novel by Robert Walser, the Polish artist created copies of cubist works. He talks to Apollo about the ties between painting and film-making
Pope Francis and the films of Federico Fellini
In his memoir, the Pope praises masterpieces of Italian neorealism by Vittorio De Sica and Roberto Rossellini – and defends Fellini with some assistance from Pasolini
The camp mastery of Roger Moore’s Bond
The actor may not have had much range, but he always played himself to perfection and brought that sense of panache to his most famous role
The painterly brilliance of Luchino Visconti
‘The Leopard’ is the Italian film-maker’s masterpiece, and it owes much of its visual splendour to 19th-century paintings
The wizard of a painter who created the world of Oz
As the creator of the backdrops for some of the most beloved Hollywood films, George Gibson has a claim to being one of the most influential artists of his time
In Mati Diop’s ‘Dahomey’, restitution is given a supernatural slant
A prize-winning documentary about France’s return of 26 looted objects from Benin is a haunting tale
‘If Jeff Koons directed an ad for Nescafé Gold Blend’ – Rivals, reviewed
From explosions of chintz to thrusting postmodern architecture, the sets for Jilly Cooper’s bonkbuster leave us in no doubt we’re watching a 1980s period drama
The surreal films of Jan Švankmajer
When it comes to conjuring the uncanny atmosphere and impossible logic of dreams, the Czech film-maker has few equals
How Marguerite Duras reinvented cinema
Though she remains best known as a writer, the French avant-gardist was a formidable force behind the camera, as a season at the ICA in London demonstrates
‘Crazed egomaniacs who want to subjugate us’ – a brief history of architects in film
Hollywood films are full of characters who design buildings for a living, but how well do they reflect the realities of the profession?
How Stanley Kubrick did it his way
A new life of the auteur lays bare the obsessiveness behind his films and what it cost everyone around him
The artists who made it in London against the odds
Making a living in the capital has always been a challenge for creative types, but British television was once very interested in how they managed
Fifty years on, this biopic of Edvard Munch deserves a new lease of life
Peter Watkins’ 1974 film is no ordinary portrait of the artist – and feels more current than ever as the art-historical canon is up for debate
The fearless gaze of Agnès Varda
An exhibition at the Cinémathèque française doesn’t shy away from the film-maker’s political side
The eye-popping posters that promoted Egyptian films
The Egyptian film industry came to dominate the Arab world – and poster makers did much to secure its hold on the popular imagination
The case for and against Werner Herzog
The Eye Filmmuseum highlights the madness of the director’s methods and how beautiful the finished films are – and leaves us to make up our own minds about it all
How Barbie’s Dreamhouse turned into a design nightmare
Before the gal who has everything got into pink, her ideal home was a shrine to midcentury modern living
Punishment for gluttons: La Grande Bouffe at 50
Marco Ferreri’s ode to eating may be one of the most disgusting films about food ever made
Take a walk on the obscure side of 1980s New York
This curious film about the painter Edward Brezinski suggests that not all forgotten artists are candidates for rehabilitation
Nan Goldin takes a stand – All the Beauty and the Bloodshed, reviewed
Laura Poitras’s documentary about the photographer is an inspiring account of her blurring of the lines between life, art and activism
The vampire who created the modern world
Ever since F.W. Murnau adapted Bram Stoker’s Dracula for his seminal film Nosferatu, the vampire has haunted the modern imagination
‘He wasn’t edgy. He was honest’ – on the genius of David Lynch
The film-maker was always an original but what makes his work unforgettable – and inspiring to other artists – is its radical sincerity