An architectural frieze is the icing on the cake, for a building
They’re the classic way to embellish a building – and for all their suspicion of ornament, even modern architects went in for them
Points of contact – a short history of door handles
Door handles can be the first and only part of a building we touch, but their design is all too often an afterthought
‘The most humane, most incisive and most readable writer on architecture of the modern age’ – a tribute to Michael Sorkin
The critic and architect fervently believed that architecture should promote social justice
‘If James Wines’ greatest works were still around, they would be Instagram sensations’
Perhaps it’s time to catch up with the sculptor-turned-architect who has always been ahead of the pack
From schools to cigar shops – the eclectic vision of Henry van de Velde
The Belgian painter-turned-designer was a prominent figure in the early history of modernism – although his precise role is not so easy to pin down
The variety, delicacy and wit of Lina Bo Bardi
In her drawings as in her architecture, the Italian-born Brazilian modernist was ‘radical and magical’
The most influential and most detested architect of the modern age
Philip Johnson was not the most talented modern American architect, but he was certainly the most important
Schip shape – the infectiously bizarre style of the Amsterdam School
Het Schip and other buildings of this early 20th-century movement are both hyper-modern and curiously medieval
The modern architect who gave Budapest a taste of the future
Béla Lajta was one of the most innovative architects of the early 20th century
The business of luxury in modern Vienna
The Wiener Werkstätte was a commercial flop, but its designs still embody the spirit of Viennese modernism
Where will London’s artists work?
As London’s former industrial areas are being redeveloped, artists are running out of affordable studio space. Can a city be a thriving cultural centre if its artists have nowhere to work?
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Podcast
A threatened mural in Oldham illuminates a key moment in British art
George Mayer-Marton was an accomplished, influential émigré artist – and his Crucifixion for the Church of the Holy Rosary in Oldham must be protected