Features

Apollo talks to Imran Qureshi ahead of his major UK exhibition at Ikon

On the recent art thefts in Italy

Earlier this year, the Hiscox Online Art Trade Report estimated the value of the online art trade in 2013 to…

Gavin Turk on the legacy of Marcel Duchamp

Do art historians and other art authenticators need greater legal protection?

As the Art Fund appeals to save Wedgwood, will anything be done to secure one of Turner’s major works for a national collection when it goes up for sale at Sotheby’s?

In Apollo’s September Diary, Christopher Rowell celebrates 50 years of the Furniture History Society

Brussels Art Square is bolstered by a new initiative to encourage international visitors

The Warburg Institute in London was celebrated in the October 1970 issue of Apollo. But as custodianship of the organisation comes under scrutiny, its future hangs in the balance

From the outside, the UK’s regional museums may look to be in rude health. But how have recent funding cuts affected what’s happening behind the scenes?

The contemporary art trade may seem like a funny old business but historically it has played an integral role in the development of Western art

Extract for our July/August Diary by Ruskin expert Robert Hewison

Extract from our June Diary by David Saunders, Keeper of Conservation and Scientific Research at the British Museum

How many people, in the art world and beyond, are able to distinguish Gilbert Proesch from George Passmore?

It’s vital that young scholars and writers have institutional support. Apollo is pleased to announce a new writing prize with Lund Humphries