Are art schools in danger of turning into finishing schools for those who can afford them, or can they survive as places where students can experiment?
With so many archaeological and cultural sites at risk in war zones around the world, is enough being done to protect them?
Though it may not be fashionable to say so, a feeling for mystery should be integral to how we look at art
The advent of modern aviation had a decisive influence on the art of British modernists
In the January issue of Apollo, we asked a range of senior figures for their perspectives on copyright now
Frederick Wiseman talks to Fatema Ahmed about his new film, National Gallery
An exhibition of drawings by Renaissance sculptors provides valuable insights into both mediums
The Fondation Louis Vuitton is the new home for the personal and corporate art collections of Bernard Arnault
An exhibition at Kettle’s Yard provides an opportunity to revisit the poet and sculptor’s career, and his letters
Designed by Rubens at the height of his career, these exuberant tapestries are remarkably painterly
Has the Heritage Lottery Fund been a golden ticket for British heritage over the last two decades, or has it invested unwisely?
The Apollo Awards celebrate the year’s outstanding achievements in the art world
The Rijkmuseum’s new Philips Wing has recently opened with an exhibition of modern photography
Today’s museums and galleries are increasingly dominated by interactive displays. But do touchscreens, apps and the like enrich visitor experience?
Jeremy Deller on the relationship between Andy Warhol and William Morris
Portraits of scientific figures such as Isaac Newton and John Harrison reveal their shifting cultural status
Apollo talks to Imran Qureshi ahead of his major UK exhibition at Ikon
The Turner Prize turns 30 this year – but does it continue to represent the best of contemporary British art?
It’s easy to be sceptical about the art biennial boom in Asia. But how have the unconventional spaces of such events shaped artists’ practices in the region?
London’s seminal Asian art initiative embraces the market’s new globalism, but connoisseurship remains at the heart of the event