Search results for: First Look
Editor’s Letter: Italian museums are showing the strain
In his April Editor’s Letter, Thomas Marks asks ‘Was there ever a golden age for Italian Museums?’
In Pursuit of an Idea: Camille Henrot at Chisenhale Gallery
French artist Camille Henrot’s first solo UK exhibition at Chisenhale Gallery is like asking a question and receiving a million answers
Muse Reviews: 30 March
A round-up of the week’s reviews: Paris, paintings, and two very different types of print
Grayson Perry wins 25th Critics’ Circle Annual Award
Grayson Perry is the first visual artist to receive the honour. He must be getting used to making that claim.
I Cheer a Dead Man’s Sweetheart at the De La Warr Pavilion
A winningly eccentric exhibition of contemporary painting
TEFAF 2014 Showcase
What does it mean to be selected for TEFAF’s yearly Showcase of promising new galleries?
On the Stolen Pompeii Fresco
The theft of part of a minor fresco in Pompeii is not in itself a huge loss, but it highlights wider security and conservation issues
‘Diverse Maniere: Piranesi, Fantasy and Excess’ at Sir John Soane’s Museum
The current Piranesi exhibition at Sir John Soane’s Museum raises interesting questions about original artworks and their reproductions
Stimulating the mind and the eyes: Barnes and Shonibare
Yinka Shonibare’s work at the Barnes Foundation is both entertaining and deeply reflective
The Week’s Muse: 22 March
Lost, stolen, restored, repackaged and photographed: a round-up of art news and debates from this week
To Shoot or Not to Shoot: Photography in Galleries
Are the rules governing photography in many major museums just too confusing?
Michael Craig-Martin at Chatsworth: March Apollo
In Apollo’s March issue we spoke to Michael Craig-Martin ahead of his exhibition at Chatsworth House
TEFAF 2014: Ten Galleries Pick Their Highlights
We asked 10 galleries at TEFAF to pick out their personal highlights
Whitney Biennial
It’s been billed as ‘the broadest and most diverse’ Whitney Biennial to date, and the enormous variety of this year’s display is no bad thing
‘Deliberate Clichés’: An Interview with Matthew Darbyshire
‘There’s nothing particularly radical or subversive in ridiculing the classical’. Matthew Darbyshire discusses art history, appropriation, contemporary clichés
‘Ruin Lust’ at Tate Britain
Ruination is a condition of modern life. An exhibition at Tate Britain explores its enduring appeal
A Tour of Asia Week New York
A roundup of highlights from Asia Week New York which runs from 14–22 March
Beyond TEFAF: What’s on around Maastricht
A look at some of the outstanding satellite shows being staged alongside TEFAF
Small Wonders: The Oskar Reinhart Collection ‘Am Römerholz’
A finely honed selection of masterpieces of European art
Meditations on Film: Bill Viola at the Grand Palais
Meditative and mysterious, Bill Viola’s video work asks timeless questions
The Face of War: ‘The Great War in Portraits’
This thoughtful and thought-provoking exhibition gives the war a human face
Forum: Is it ever justifiable to burn a fake?
Apollo’s March Forum asks what should be done with ‘fake’ paintings
Most popular
- Recent
- Recent
Podcast
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
The Week’s Muse: 29 March
Maurice Davies on museum funding, Daisy Dunn on Pompeii’s stolen fresco, and other stories from the Muse Room this week