Reviews
Flora & Frida: the New York Botanical Garden celebrates Frida Kahlo
She was a colourful character…
Muse Reviews
In search of sculptures on London’s latest art trail; James Turrell heads for Norfolk; transforming Met and the V&A with film
Walking a Fine Line: London’s new sculpture trail
The Line is a great concept, but it’s not without teething problems
Review: Woman in Gold asks questions about the value of art
Helen Mirren stars as Maria Altmann, an émigré Austrian Jew battling to have a painting returned to her after its theft by the Nazis
Muse Reviews
Grayson Perry takes the stage at Turner Contemporary; the Latona Fountain flashes into life at Versailles; and we take a sneak peek at some treasures of ‘Gold and Ivory’
Review: Grayson Perry at Turner Contemporary
For once, the influential artist’s work is left to speak for itself
Review: ‘Zero Atmosphere’ at Cortesi Gallery, London
Is London’s attention shifting away from Italian art?
Highlights from ‘Gold and Ivory’ at Louvre-Lens
Beautiful example of medieval painting, sculpture and decorative arts on show at the Louvre-Lens Museum
Muse Reviews
Homages to plaster casts and Portland stone; Chris Burden’s wonderful final work; plus, ‘has David Hockney been at the ketamine?’
Reading Basquiat’s Notebooks at the Brooklyn Museum
Words and writing were as much a part of Basquiat’s art as his visual imagery
Rethinking Reynolds at the Wallace Collection
Reynolds may have fallen out of fashion, but a recent conference suggests there’s more to his works than meets the eye
Hepworth Wakefield puts plaster casts in pride of place
Barbara Hepworth once called plaster ‘a dead material’. She was wrong
End Matter: Katrina Palmer explores the source of Portland stone
Palmer’s project for Artangel looks at the negative space left by some of the world’s great monuments
London Diary
Hockney’s psychedelic new creations at Annely Juda; Thomas Struth’s exceptional photographs at Marian Goodman; and Andre Kertesz at James Hyman
Muse Reviews
The hidden David Parr House in Cambridge; the Waddesdon Bequest; and the verdict from Venice
Verbal Assault: ‘All The World’s Futures’ Reviewed
A joyless preference for the verbal over the visual at the Venice Biennale
A tour through the wastelands: don’t miss Prunella Clough at Osborne Samuel
Clough excelled at making art from the ugly and the overlooked
The Art of Work: Visiting the David Parr House
Is this remarkable house Cambridge’s best kept secret?
Muse Reviews
Yale institutions launch a Critique of Reason; a ‘fake’ in the Dulwich Picture Gallery; and a preview of Spring Masters New York
A Fantastical Feast at the Palazzo Pitti
Sugar, starch and a menagerie of animals: the marriage banquet of Maria de’ Medici and Henri IV of France was a sight to behold
Yale art institutions come together in the Critique of Reason
Enlightenment and Romantic artists had more in common than you think
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The fashion for film: large-scale projections are transforming museums
Theatrics at the Met and the V&A